![]() I’ll be exploring this a lot more in subsequent posts. So far in my tests, both the D750 and D810 do have an impressive feel to colour across a wide range of shots and it comes alive with only basic post production work. If the D750 can avoid this issue and the other colour balance problems I have experienced with S-LOG on the A7S, as well as giving a flat profile that is easier to grade then Nikon will have an advantage. Panasonic and Sony have work to do in this area to catch up.Ī recent issue that has come to light (no pun intended) is the clipping of bright blues in Sony A7S S-LOG footage. Like Canon, people have long admired Nikon’s colour science. It’s time for Nikon to expedite their entry to the 4K market, but for now the D750 does 1080p very well. However I am editing 4K on a laptop and I can shoot 4K with a GoPro for under $499, so you can’t get much mass market than that. Their official line on 4K is that they think it’s too much for current users. No it isn’t 4K as on competing Sony and Panasonic offerings, but that’s in the works according to Nikon. It’s an even cleaner and more detailed image than the Nikon D5300 for video. It’s extraordinary they did not make more of the image quality gains for video users at the time of the announcement. Dynamic range with the new image processor and flat picture profile impresses. The way it scans the image for 1080p is completely different. The 24MP sensor may look like it has the same megapixel count as the D610’s but it is definitely new. The D750 has one and it’s ‘gained lightness’ as a result. Joking aside, and aside from all those lost years shooting video with moire and aliasing on Nikon cameras, the D750 is actually a surprise. It’s just that a lot of the innovation is hidden from view.Ī carbon fibre monocoque chassis for instance, a familiar term to fans of Formula One in that it offers lightness along with extreme rigidity. I see the space programme is really paying off for Nikon. Other NASA-like technology include zebras and a flat picture profile. On the face of it, the Nikon D750 looks less like a D700 successor, more like a very steady evolution of the D610 with flippy screen technology. Is the D750 the one we’ve been waiting for? Filmmakers have been waiting a long time for a top-performing Nikon full frame FX DSLR for video.
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